Track analysis, "ready to come home now"

A newer track, studio improv as usual.   Which, to people who aren't familiar with the process, is non-rehearsed, non-scripted passages, recorded one at a time (since I do not have six arms).  Either the track works or it doesn't - I accept flaws and move on, or I scrap the entire thing.

Composition:
- two clean tracks, Fender Mustang (very soft pan, left/right split) to Fender Hot Rod Deluxe.
- distorted/fuzz track, hard left: MXR Blue Box (2 octave down fuzz) into Boss GL-100 "Guitar Driver" rackmount preamp.  Digitech Timebender analog delay on the verge of self-oscilating for effect.    Adds a nice low-end splatter and crackle and ambience to fill out the scene.
- distorted warble, hard right: Devi Ever Soda Meiser cranked, into Boss GL-100 again.  Adds cracking transistor warble with an overdefined tape saturation-style low end.
- fuzz background, center pan.  Boss GL-100 "HM-2 setting" into Devi Ever Soda Meiser.  Adds just the right amount of texture to the process.

Mix together lightly, and there's an audio headache (literally) - the central genesis of an idea, under siege from everything else - the outside world, the pain, the passing of the moment.  Some of these things may be beautiful in their own right, but the integrated whole is one of dis-ease and moment-to-moment being.

ready to come home now by rfurtkamp