Sometimes all a track needs is a little something to make a piece pop - I'm partial to 'almost there' amp modellers where the sounds are good but they don't quite hit the amp they're gunning for.
Match it to an actual amp on a wide stereo pan, and go to town.
Works very well on verge of overdrive Vox stuff, duelling Jazz Chorii work well too.
Observations from the six by eight studio cell on wierd music, recording, and what makes noise worth doing.
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